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圖文分享自臉書 Arte Moderna ──和  Maria Santos Millet  及  George K. Bareford  。 19 小時  ·  Vincent Van Gogh - Laboureur dans un champ. Painted in Saint Rémy, early September 1889. Oil on canvas, 19 7/8 x 25 ½ in. (50.3 x 64.9 cm.). @ Christie's Images, New York

圖文分享自臉書 Van Gogh - Mia Feigelson Gallery 已說讚的粉絲專頁  ·  1 小時   ·  https://www.facebook.com/ VanGogh.MiaFeigelson From the Album: 'Van Gogh: Seascapes & Riverscapes' "Fishing in Spring, the Pont de Clichy (Asnières)" (Spring 1887) [F354] "In technique, 'Fishing in Spring' is a testament to Vincent van Gogh’s friendship with Paul Signac. Van Gogh had seen works by Signac and Georges Seurat in the spring of 1886 at the final Impressionist Exhibition. Signac was an e loquent spokesman for Seurat’s pioneering Neo-Impressionism, explaining it as a natural development of Impressionism. Under Signac’s influence, Van Gogh’s palette brightened, his brushstrokes became more varied, and his subject matter expanded. The setting of this work is the River Seine at the Pont de Clichy, near Asnières, where Van Gogh and Signac painted together on several occasions." - See more at:  http://bit.ly/1F0MgN2 "Fishing in Spring, the Pon...

圖文分享自臉書 Van Gogh - Mia Feigelson Gallery https://www.facebook.com/ MiaFeigelson  -  Van Gogh - Mia Feigelson Gallery From the Album: "Van Gogh in Arles" "Orchard with pear trees in blossom" (Arles, April 1888) [F406] (meant as a present on Theo's birthday, 1 May) This was the last painting van Gogh made for the 1888 series of orchards. It was conceived especially for Theo's birthday (Theo turned 31 on 1 May). "...I have 10 orchards now, not  counting three small studies and a large one of a cherry tree that I worked to death (...) Croquis here of an orchard that I had especially intended for you to mark the first of May. It’s entirely bright and done entirely in one go, a riot of impastos barely tinged with yellow and lilac in the first white clump. You’ll probably be in Holland then, and over there you’ll perhaps see the same trees in blossom on that day." - To Theo. Arles, 20 April 1888  http://bit.ly/2mVH4pC "Orchard wi...

分享自 Van Gogh - Mia Feigelson Gallery https://www.facebook.com/ MiaFeigelson  -  Van Gogh - Mia Feigelson Gallery From the Album: 'Van Gogh in Paris' "Geranium in a Flowerpot" (Paris, summer 1886) [F201] In 1886 and 1887 after he moved to Paris from the Netherlands, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings. He saw the work and met the founders and key artists of Impressionism,  Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting. There was a gradual change from the somber mood of his work in the Netherlands to a far more varied and expressive approach as he began introducing brighter color into his work. He painted many still life paintings of flowers, experimenting with color, light and techniques he learned from several different modern artists before movi...

分享自臉書 Jil Wu 懿能藝術 花瓶的15朵太陽花 1888， Vincent Willem Van Gogh 甦醒於晨光，世界的繞繞紛紛，平凡與繽紛，一朵朵初開、 綻放、凋垂的太陽花在梵谷的筆下，在客房裡，準備迎接遠 方來的好友高根。太陽花的系列開始於1887年在巴黎， 梵谷的好友，也是知名畫家保羅高根向梵谷定了兩幅，搬到 Arles之後，在高根預計前往探訪梵谷之前，梵谷特地 繪製了這幅展現各階段生命的花朵，掛在客房內，準備迎接 他的好友。 剪下花梗後的花朵細心放置在花瓶中，隨著畫的時間，一朵 朵增加，那第一朵的彎腰，第十五朵的綻放，在時光最初的 流轉裡，沈澱在梵谷的畫布上。 宛若剪了臍帶之後的初生兒，展開了生活與生存的旅程。 Hey~你，是不是也感受到了法國南部農村Arles的 陽光？ #VanGogh

"Thistles" (Arles, August 1888)  By Vincent van Gogh (Dutch, 1853-1890) oil on canvas; 59 x 49 cm 

  Van Gogh  "Thatched Cottages at Cordeville" 

Van Gogh  "Three White Cottages in Saintes-Maries" 

"The Poplars in the Mountains" (Saint-Rémy, October 1889) [F638]  By Vincent van Gogh (Dutch, 1853-1890) oil on canvas; 61.6 x 45.7 cm; 24 1/4 x 17 15/16 in.

Vincent Van Gogh - Roadway with Underpass (Le viaduc), 1887. Oil on cardboard, mounted on panel, 12 7/8 x 16 1/8 inches (32.7 x 41 cm). Solomon R. Guggenheim Museum, New York, USA 資料來源  Arte Moderna

資料來源 Van Gogh Museum 'this reaper - a vague figure struggling like a devil in the full heat of the day to reach the end of his toil - I then saw the image of death in it, in this sense that humanity would be the wheat being reaped.' wrote Vincent van Gogh (1889) Wheatfield with a Reaper, Vincent van Gogh (1889)  http://ow.ly/sQ2h30eO0IH

 'Sunflowers' was painted by Vincent van Gogh in August of 1888 

"Landscape with House and Ploughman" (Saint-Rémy, December 1889) [F727]  By Vincent van Gogh (Dutch, 1853-18909 oil on canvas; 33 x 41.4 cm

"Girl in the Woods" (The Hague, September 1882) [F8a] By Vincent van Gogh (Dutch, 1853-1890) oil on panel; 35 x 47 cm Private Collection

Vincent Van Gogh - View of Saintes-Maries-de-la-Mer, 1888. Oil on canvas, 64.2 × 53 cm. Kröller-Müller Museum, Otterlo, Netherlands

"Avenue of Poplars" (Nuenen, March 1884) [F1239] By Vincent van Gogh (Dutch, 1853-1890) pencil, pen and ink, on paper; 54.2 x 39.3 cm ©  Van Gogh Museum , Amsterdam (Vincent van Gogh Foundation) 

"Vase with Gladioli and Chinese asters" (August-September, 1886) [F248a] By Vincent van Gogh (Dutch, 1853-1890) oil on canvas; 46.5 x 38.4 cm  ©  Van Gogh Museum , Amsterdam (Vincent van Gogh Foundation)  http://bit.ly/2l6R8qV https://www.facebook.com/VanGoghMuseum

"Enclosed Wheatfield with Rising Sun" (Saint-Rémy, December 1889) [F737] ''Vincent van Gogh' -  Groninger Museum , Groningen, the Netherlands.